
This weekend, I stamped 150 title pages for
Works on Paper.
Things I learned that I did not know before:
- Speedball blockprinting ink is meant to be DILUTED before using
- ink consistency is very important - not too watery, not too thick, not too dry
- keep your chop clean for good definition
- old exacto blades too dull to carve out book covers are perfect for clean-up jobs
- blotting/a pre-stamp is essential
- my round chop has a design defect that prevents ink from picking up in the middle (understood 25 stamps later....)
- printmaking-based arts are not a good match for someone with a patience/perfection issues.. OR maybe they are exactly the right match
The pages are back in the mail to Convivio for binding and I am hoping that this little edition sees the light of day by end of March, in time for my retreat to Connecticut and the Beinecke Book Arts Conference.