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The show at the DMA takes up the Barrell Vault, the quadrant galleries, the concourse, and the contemporary galleries - it's a lot of work to view in what begins to feel like a tight amount of space, and it would have been interesting to see the retrospective installed in San Francisco, to get a sense of how the work flowed in a different configuration.
I was probably most interested in Tuttle's book arts works which were displayed in custom display cases built from blond wood with stands that opened outwards like the pages of a book. Creative carpentry, yes, but awkward when it came to viewing and stepping in close to get a good look at the books under glass. Further, the books were oriented more than one direction which really made viewing a pain in the ass. It's interesting to think of Richard meeting Mei Mei while they worked on the design together of one of her books. Also featured in the show were some of Tuttle's more recent works from 20 Pearls and works made between New Mexico and New York.
Kort had a Core Fusion (blend of ballet, stretching and yoga) class last night at the new spa, so I took a trip downtown to visit the DMA and the Tuttle retrospective. After finishing there, went to the Trammell Crowe Museum to see Japanese woodblock prints and then wandered across the street to the Nasher Garden. All Museums are free on Thursday nights! I hadn't been to the Nasher in some time - I've never been crazy about the way that the art is laid out in the galleries or in the garden. But tucked in the back of the garden is a James Turrell skyspace. You enter thru two sets of double doors into a concrete space with benches that looks up into the sky. Yesterday, viewing conditions were ideal. Streaky white clouds and birds flying overhead. It's the quietest place in the garden and a nice place to retreat to stare up at the sky.
I just finished reading David Antin's UC Press book i never knew what time it was picked up at the Taipei International Book Festival this past spring. The book is a series of "talk pieces" - adaptations of spoken "lectures" that Antin has given over the years at various venues like CalArts. As a New Yorker, Antin brings an interesting perspective to urban development in Southern California - the nature of real estate (buying and selling on short turnaround time), public highways, and the evolution and politics of the art programs at the Walt Disney School and UC San Diego, where Antin was hired to teach and run the university gallery. It's a fascinating picture of California arts within a certain period. I first came across Antin's cloud poems a few years back in a Granary catalog - Antin hired airplanes to write poems in the sky using water vapor over the skies of La Jolla. They were short poems, because hiring skywriters does not come cheap. But what an amazing concept.
Kort and I arrived back home last night just in time for my 6:30 a.m. Lasik eye surgery. I've had to do a series of 4 different eyedrops over a five hour period and am seeing the world thru a milky haze. Tomorrow, the medicinal contact lenses come off of my eyes and I will be able to see how much exactly I can see.
It was a tripped out experience and they gave me a percoset to make the whole thing a little more calm. They mark up your eyeball with a black marker, stick you on a chair with knees bent and tell you to look up into a circle of 8 lights. They hold your eyelids open and apply pressure to the eyeball and everything goes black (which is supposed to be quite normal). Then you sit for 30 minutes and wait for the bubbles to disappear and go back to a different chair where the laser reshapes your eye.
I am not supposed to wash the top half of my face for a full 7 days. I have milky residue from the eyedrops clogging up my lashes, like white mascara.
At the end of this, I may just be able to see.


We made the drive from Arroyo Seco to Questa to visit Lama Chodrak's stupa on Herman Rednick's former retreat lands. Lama was in Hong Kong, but we went anyway to circumambulate his lovely stupa which we could see from the highway.
We decided to explore new places we hadn't been to before in place of hanging out in Santa Fe which was a high tourist hotspot. We went to the Bandolier National Monument.
We went to see the Leonard Cohen documentary last night at the DMA. The film needed more Leonard Cohen and more narrative continuity - you come away knowing very little about the man - but there are some really nice moments. Rufus Wainwright, who performs "Everybody Knows", "The Chelsea Hotel", and "Hallelujah" in the film tells a great story about meeting Cohen for the first time, who is also his friend's dad. When Wainwright walks into the apartment, Cohen is in his underwear, cooking a pot of soba noodles and chewing on tiny sausages that he is regurgitating to feed to an injured bird. Then he steps away into the bedroom to get dressed and comes out wearing an Armani suit at which point, Rufus Wainwright bolts to upright attention, recognizing oh my god it's Leonard Cohen. Such a "snappy dresser!"
Before Cohen was a singer, he was a poet. He has been practicing Zen Buddhism for 30 years and lived on Mt. Baldy where he studied and practiced. He became an ordained priest because it was the protocol in order for him to continue studying, and says in a wonderful moment of humor that he became a priest because he had to and he hated everybody but no body knew because he was generous to everyone.

At the beginning of my cleanse week on violence/media saturation two weekends ago, I happened to go to a viewing of Matthew Barney's new film at The Fort Worth Modern. Not the best idea - the film was filled with graphic images of cannibalism and human dissection. That aside, the build up to those moments was aesthetically fascinating.
There is an interesting tea ceremony staged on board a whaling vessel where Barney and Bjork are served thick tea by the ship's captain. The implements include a "scoop" fashioned from a nautilus shell, a tea caddy made from a sea anemone, and a whisk which is an improvised sea shell with spines. The tea bowl is a strange whitish form that looked less like a sea shell and more like a Barney sculpture. Barney addresses the captain in English and he answers in Japanese. Bjork speaks to the captain in Japanese. At the point where there is haiken, Barney asks about the "vessel" and gets instead of an elaboration on the tea vessel, an explication on the ship itself and the lump of ambergris (whale vomit) that has recently passed thru a whale and been brought on board.
There were moments in the film where it was like watching a music video - images of nymph-like divers with pearls dripping from their mouths, a woman playing an oddly shaped instrument, Bjork waiting to be picked up by a boat, while wearing a red cape with fuzzy balls sewn along the hemline. Barney looking somewhat romantic and Russian in a car-length fur-like coat and...blue jeans. I think they were Levi's. He gets his hair shaved by a crew member in an interesting scene where he is taking a nap, awakening to find an opened beer can next to him.











