Sunday, April 12, 2009

Born Digital
Finished reading Born Digital: Understanding the First Generation of Digital Natives as suggested reading for social technologies class. The book is written by lawyers John Palfrey and Urs Gasser and targeted towards parents and educators on the issues related to technology and today's Digital Natives. The book opens by talking about the world of Digital Natives and the dangers that they face in terms of having to navigate complex social technologies that disclose personal information and also expose youth to safety threats and threatened privacy. Palfrey and Gasser also talk about the identities of the new Digital Natives - that there is a blurring between private and public selves and a continual reinvention and fluidity of the identity. I think about some of my friends on Facebook who took a long time to join the network and never/rarely change their profiles, and it's interesting to me to think about how the pre-digital natives use the technology in a more stable/static way, then say some of the college-aged students I've taught over the years.

The authors spend a good amount of their time talking about their ideas for policy and practice, as well as discussing ethics, copyright law. I think the main take-away from the book for me, as it applies to museums and virtual exhibitions is that parents are concerned about good technological design, controls and privacy (collection and sharing of personal info), and that these concerns should be addressed through any online project. The other take-away is finding ways to channel the creative energy or groundswell that is part of the uprising in creators, a category of social technology users (there are also observers, critics, and other categories, with the creators being the most active and participatory in terms of generating new content). I.e. finding ways to involve or capitalize on youth/user innovation and expertise - tapping their ability as collaborators and innovators to help take a project to the next level.

Wednesday, April 08, 2009

Naropa has a new president as of July.
A small press in SF is publishing my friend Rick Benjamin's first book of poems, Passing Love, later this year. Nothing would make me happier than if people submitted queries and pre-orders for the book and helped to build a buzz about what is a shining debut collection, with particular appeal to those readers with a Buddhist sensibility.
My medical records from South Cove have been sent to Iron Mountain, and now I must retrieve them.
Here Comes Everybody
For social technologies class, I have been reading Here Comes Everybody - a great primer on social media that encompasses a variety of case studies including Wikipedia, Digg, Twitter, Flickr, Facebook, Meetup, Myspace, Youtube, Blogger, and other technologies that have developed to help user organize, connect, and expand their communities through interacting in new ways around social objects. The author, Clay Shirky, uses a few examples that look at how users of social media have used those tools to challenge the establishment (digital campaign that led to policy changes in airline industry)and to disseminate information - i.e. cell phone photos of the London subway bombing in the aftermath of the event.

Reading Shirky's book makes me realize a couple of things. People use social technology in the way that makes sense to their own needs - usually networking and expanding their sphere of connection. I don't think that there is a "wrong" way to use social technology, but I realize that I have not been interested in using these tools to their fullest social capacity. I don't tag my posts or flickr photos typically, I disable comments on blog posts due to a history of blog trolls and unfriendly reader/spectators. I ignore friend requests on facebook from people I haven't met in person and/or had some individual contact with - particularly if I notice that the people contacting me already have 2,000+ friends, or even a couple hundred. Because the power of the social technology is to work as a networking and marketing tool - very prevalent on facebook with various poetry and art groups, or book recommendations on goodreads, etc. And unless I have a personal investment in a person or group, I don't want to be inundated with information, and I wonder if others feel the same.

I did not have an RSS feed on this blog until someone asked me to add one, and then I had to ask that person to explain to me how to set that up. I figure that the people who check into this blog or take some interest in spectral presence of who I am on the web know where and how to find me in real life. Because that to me is what relationships are built on - face to face interactions, handwritten letters, the random phone call, and shared experiences in real time and space. Perhaps that makes me more of a luddite than I previously thought.

But I am very much interested in how people organize their interests around social objects - i.e. for Youtubers it's videos, for flickr members it's fotos, for Twitter it's status updates. For the Buffalo and WOMPO lists it's poetry, or maybe it's publishing. For people who connect through Meetup, it's the idea of not bowling alone. And there is something within the technology that encourages creativity, sharing and a sense of community in modern times that can't be ignored.

Sunday, April 05, 2009

Currently contemplating "big eye" contacts and Ayahuasca shamanic journeying.
Ultimate Journey
I just finished reading Richard Bernstein's Ultimate Journey. Published in 1999, the book chronicles Bernstein's journey to the East to retrace the spiritual pilgrimage of Chinese monk Hsuan Tsang who crossed from Western China into India on the Silk Road on a 17-year journey that took place centuries ago. Bernstein's travelogue is fraught with the hardships of modern travel (crossing borders, getting visas, negotiating local ground travel) and reflection upon his years working in China as a journalist, woven together with a simultaneous historical narrative about the travels of Hsuan Tsang. I didn't love this book in the way that I hoped that I would. I actually like Rudy Wurlitzer's Hard Travel to Sacred Places much better as a travelogue, though I also had criticisms of the narrative arc of Wurlitzer's book. Whereas Wurlitzer's journey to the East (Laos, Cambodia, Thailand) centered around a trip that he took with his wife in the wake of grieving their son's death from a tragic car accident, Bernstein's main impetus for his trip at middle age seems to admittedly be because soon he will be too old to take such a trip. He revisits the sites of his youth and reminisces about the stories he captured as a fledgling freelancer writing for the Christian Science Monitor. Whereas Wurlitzer is a spiritual devotee and seeker, Bernstein traces the steps of a Buddhist pilgrim with seemingly little emotional investment. At times, the reader even sees the ugly American emerge when he demands an audience with a Maharaja basically unannounced and complains loudly on a train about his fellow travelers. The section of Bernstein's book on the Mogao Caves of Dunhuang glosses the experience - experienced at the end of a long journey through China to India to China again, the wonder of the cave murals is lost on Bernstein who is ready to return to the States by the conclusion of the book.

The one interesting piece of knowledge that I did glean from reading Bernstein's book was some of his recapping of Buddhist Jataka tales - the subject of cave murals throughout China and India. Apparently, there are more than a few stories of the Buddha self-mutilating in order to get closer to enlightenment. Not simply starving himself, but cutting off an arm to feed a tiger, beheading himself, gouging out his eyes - far more violent than Bodhidharma tearing off his eyelids to stay awake. Discovering these stories will I hope inform the long poem ("Kintsugi") I've been writing about wholeness, wounding, and mutilation. Digression - I think that the phenomenon of "wanna-bes" (thanks to my anthro colleagues) will also occupy some section of this long piece.

Saturday, April 04, 2009

I am reading Clay Shirky's Here Comes Everybody book on social media for my social technologies class and am thinking now that Lance Phillips' poet-interview blog may have actually been inspired or derivative in part of Shirky's book.

Friday, April 03, 2009

I was in residence in 2006 at the Taipei Artist Village with this artist. Sejin was working on a couple of interesting video projects of nightlife in Taipei that included the documentation of night workers in the city. She'd come back to the village in the early morning hours and sleep much of the day. Some of her nighttime adventures included getting hassled by strange people - I admired her willingness to take risks for her work and to navigate a foreign city under less than ideal circumstances. Sejin is about to have a big solo show at the Brain Factory in Seoul. So if you live in Seoul (Jerry T.) go see the show, or learn about Sejin's work online.

Thursday, April 02, 2009

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We finally made it to the Garden and Cosmos show at the SAAM and it was totally worth it. The exhibition is of 18th and 19th century watercolor paintings of Jodhpur royalty and also encompasses metaphysical paintings of chakra maps, yantras, and deities. Though many of the paintings are relatively large, the richness of imagery, narrative, and detail draw the viewer into an intimate relationship with these paintings.

Tokyo Sonata

Tokyo Sonata

Went to see Tokyo Sonata at the Northwest Film Forum on Sunday. The film follows the story of the Sasakis, a nuclear family living in Tokyo. The family patriarch loses his job as an administrator (salary man) and spends his days in line for temporary work, subsisting on free food given out to the homeless and unemployed. Out of shame and perhaps duty, he keeps this information from his wife and two sons. The Sasakis eldest son volunteers to serve in the U.S. army and is deployed to the Middle East. The youngest son spends his lunch money on piano lessons, when his father refuses to support his interest in music.

The film covers many issues at the heart of the nation's crisis since the bursting of the economic bubble: unemployment, delinquency, youth disillusionment, the too-good wife/mother, suicide/murders, the rise in crime, and divorce. It's amazing how many hot topics the film includes. The heart of the story is really the tension between generations - the Sasaki sons represent a generation of youth connected to their emotions and to doing things differently than their parents, while it's the older generation that relied too much upon the 1-job, 1-career concept that resulted in displacement and a total lack of developing skills.

The film has a lot of heartbreaking moments - Mr. Sasaki coming home after sunset, after a day of looking for work and filling the time with waiting, forces a happy face. The youngest son auditions for music school. The eldest son departs for the Middle East - at the bus terminal, only his mother says goodbye to him. He salutes her.

One of my favorite Japanese film stars, Koji Yakusho, who appears in Babel but was made famous for Western viewers in Shall We Dance? makes a brief appearance in Tokyo Sonata as a failed locksmith who resorts to armed robbery, which he proceeds to botch very badly.

Cinematically, there are some stunning moments in the film - my favorite scene is when Mrs. Sasaki walks on to the beach and sits in the tide. The camera pans out and we see her figure alone under the moonlight, water lapping against her body, as she lies down in the sand.

Tokyo Sonata

Wednesday, April 01, 2009

Podcast interview with the Convivio Bookworks guys who talk about the Works on Paper project, books, and letterpress printing.

Friday, March 27, 2009

Recent Reading

Unnecessary Talking

Unnecessary Talking is poet and translator Mike O'Connor's chronicle of a boyhood spent in Montesano, WA, small-town USA. Stand By Me meets Great Brain meets Little Rascals/Our Gang. Written in short linked prosed sections from a young Mike O'Connor's perspective. Quite a contrast to the lyric voice of O'Connor's Taiwan poems in The Basin, yet equally impressive - the tone of this collection is a wide-eyed innocence and a boyish sense of humor. Buy it from Pleasure Boat Studios here.

Stealing Buddha's Dinner
Born in Viet Nam and raised in the Midwest, Bich Minh Nguyen writes of assimilation through food in her memoir Stealing Buddha's Dinner. As a thematic motif, food attempts to tie the narratives together, but the most compelling aspects of the book are the relationships and the characters shaped by the author - Nguyen's Mexican-American social activist stepmother, the forgotten mother left behind in Viet Nam when Nguyen's father, uncles, and siblings evacuated Saigon. My favorite section was the chapter on literature that left its impression on the author's young sensibilities, with a lengthy section devoted to a discussion of Laura Ingalls Wilder's Little House on the Prairie series and Nguyen's longing for Ma Ingalls' salt pork and biscuits. I myself had no longing for prairie life, but having had a childhood crush on Michael Landon as idealized father and/or lover (yes, I know he was a devout Christian) , this chapter struck a chord. And if you've enjoyed David Sedaris' latest book which has a piece on "Ma Hamrick", his partner Hugh's mother, Nguyen's writing ties nicely to the theme of frontier romance and heroism.
I don't like institutional violence, and in the future, I will do everything possible to avoid it. The concept of fairness is a fairly relative one.

It's spring break at UW, and I've spent a lot of time this week sleeping and reflecting. And since I will not be going to AAM in April, I decided to spend some time at the OAH Conference that's been here in Seattle this week at the Washington Convention Center downtown. The conference has featured a number of sessions on food scholarship and oral history which have helped me to rethink the chop suey project I'm documenting for the Wing Luke Museum.

There have been a number of ongoing challenges to the project, but I think something that has finally become clear is that there hasn't necessarily been an overarching master narrative that the project is seeking to subvert or complicate - or if there is a master narrative, it may be a perception of authenticity, vs. adaptation in Chinese American foodways. So there's something to be clarified here along the lines of what is the major research question. And while Team Chew identified a guiding set of questions that focused on labor relations and families, the more accessible angle to a greater public may well be that of food consumption and foodways, both in terms of publication and exhibition, due to the explosion of interest in the last twenty some years in food consumption (vs. agricultural production), nutritional science, and an academic interest in food that has led to the establishing of food-oriented academic programs at UC Davis, NYU, and the University of Minnesota. Think the popularity of a writer like Michael Pollan or celebrity chef programs on primetime television. Which is not to say that the chop suey project won't explore issues of local history, labor, immigration and pop culture, but that the entry point for researchers and audiences may be the food one, and more time and attention might be spent on opening up that theme, from which the others will radiate.

This reframing of the project helps me to have hope that I could finish the project by June, or late summer at the latest, with a final defense in August, or wrapping up the City of Seattle grant at least. Recruitment has been a problem as its been purely word of mouth. I interview the children of chop suey restaurant owners to get to their parents, the elder generation who's stories are at risk of being lost. This is by no means ideal, it slows the process, but one connection leads to another.

I may also have to rethink my thesis committee. It's become my feeling that it's a potential conflict of interest to have the project advisor/owner on the committee, as that lends itself to my surrendering my ownership of the research and perhaps not taking as critical an approach to the challenges of the project.

Tuesday, March 24, 2009

overheard at H&R
Block: “I used to own a home”
lives now in her car

*

back from Canada
to snow & the tent city
changed back to parking lot

*
Dalai Lama barred
from Johannesburg taking the
focus away from peace

Sunday, March 22, 2009

Saturday, March 21, 2009

It's officially spring break, and officially spring. Things to do this week:

• home cooking
• yoga
• reading: Peter Levitt's poetry books
• re-reading: Mike O'Connor's The Basin
• studying up on Western China
• journaling
• writing
• maybe a ferry ride to Bainbridge
• acupuncture
• handwritten letters to friends
• chop suey interviews for thesis project
• sleeping
• listening to Ned S' CD
• rollerskating around Green Lake
• the gym
• the track
• procure a birthday gift for Linh
• this show and this show and this show

From our friends at the Wedgewood Coop

New: A Spring Festival of Balance and Healing

•How can we deal with the global recession and diminishing natural resources?
•How can we best use our collective resources for positive social change in our community?
•How can we we model the ancient human tradition of gathering and celebration?

Come Celebrate Spring and Change with us.

Re. Kindle: Meet new people and share community
Re. Joice: Dance to the Samba/Klezmer grooves of Sasson and many late night DJs
Re. Skill: Sign up to participate or lead a skillshare in the community
Re. Vive: Enjoy tasty local brews and wood fired pizza
Re. Build: Enjoy the brand new bamboo and steel structure and learn about sustainable building
Re. Groove: Participate in acoustic rhythm in the jamspace
Re. Member: Share memories of community
Re. Mind: Share your tools for sustainable and positive living
Re. Cline: Relax in a chill zone with your friends
Re. Ignite: Sit by a warm fire
Re. Search: Share positive information about the world we can use
Re. Dedicate Celebrate a Spring Ritual of Balance
Re. Flect: How have the forces of nature changed the NW Landscape?
Re. Summon: Create and Share a Springtime Haiku

We are asking for your participation. As we move to the next place in the journey of the world, we will once again witness the awakening of the world.

Let that awakening inspire us all.

Please DO bring: Your good friends and family, ideas for sustainable and positive living, skillshare concepts, your creative mind, music, food to share and love

Saturday March 21st

Feast at 7
Live Folk by Mucho Mejor at 8
Participatory Ritual of Spring at 9
Dance Party with the Klezmer/Samba grooves of Sasson at 10
Live DJs from the Burner Collective into the night.

A snowflake on the blazing stove

Here is a model of conflict resolution that resonates for me, via T.B., a long-time devotee and practitioner of kendo:

Shingen and Kenshin

Takeda Shingen vs. Uesugi Kenshin at the Fourth Battle of Kawanakajima on September 10, 1561.

They were the rival generals of the two armies which were fighting. Kenshin was a Buddhist monk, and Shingen a lay practitioner of Zen.

Kenshin was frustrated because Shingen wouldn't come forth to do individual one-on-one combat with him, but was rather sitting to the rear, fanning a charcoal stove to boil water for tea.

Kenshin charged his horse straight up to Shingen, drew his sword ready to strike Shingen, and said: "What would you say at this moment?!?"

Shingen continued to serenely sit on the camp stool, and replied "A snowflake on the blazing stove!" then calmly parried off the cut using his fan - which was made of iron.

Kenshin rode away...

The print is by Chikanobu Yosho (1836-1912).

I've lost the desire to fight. There is nothing humane about human resources - their representatives agents of institutional violence skilled at silencing and doling out discipline. Five months from now, I may or may not look back on this moment with anger, sadness, indifference, acceptance, detachment. I may or may not look back, I may instead look forward.

Wednesday, March 18, 2009

The last 24 hours or "It's a squid's life"

Take Collections final.

Phone consult with union reps.

Consult with friend who is a former HR professional.

Consult with professor.

Make salmon for dinner. Eat with Kort.

Watch "What Would You Do" on TV with Kort. Feel deeply disturbed by the lack of good citizenship and basic common sense.

Cry until nauseous. Hit threshhold at about 5 minutes.

Counsel girlfriend who's boyfriend just broke up with her.

Give Kort the green light to go on his New York Zen Monastery/chado trip in June. It overlaps with UW graduation, but at this point, I don't know what's happening. Coconut Diaries will be in Seattle during that week.

Sleep.

Call financial aid office to find out how much loan money is available to me for spring quarter. Plenty of it - a good chunk of it subsidized.

Go to see preceptor for Japanese acupuncture for help with grounding. Body hums on the treatment table. Remember that wholeness and power is within me, not outside of me. Text husband that I love Stephen Brown.

Walk to farmers market and buy vegetables, make soup for lunch, stew for dinner.

Check mail - goodie package from White Pine Press.

Sit down with bowl of lavender ice cream. Read poems of Rengetsu and oppressed Bengali women. Contemplate becoming an ascetic. Contemplate the intersections of poetry and politics and publishing.

Write in journal.

Contemplate the Asian woman on the sidewalk outside of East West Bookstore this morning with a cardboard sign that read "Homeless/Broke/Hungry."

Contemplate what it is to be "broke" and/or "broken" and/or "broken-hearted" and/or "beat."

Massage press balls on ear points.

Inhale/exhale.

Prep for meeting with union rep.

She Said/She Said: Baby Crazy

This is Coconut Diaries' two cents on the subject:

I have a serious impulse control problem. For serious. I actually jumped off a bus to stare at a man who was running shirtless downtown. Today. He was Ralf Moeller whipped with Michael Jai White emulsified with Rick Rossovich and drizzled with Gregg Butler. (If you’re gonna Google them, have your ciggy at the ready.) And there I was with my gym bag- staring as his appropriately squared man boobs boinged past me- before reality stuck it’s boot in my bum to remind me that I signed myself up for a 15 minute wait for another bus. Oh, and there’s the whole husband thing.

My point?

My point is that a married woman who would voluntarily extract herself from her sole transportation to ogle a man she has no intention of interacting with is not prepared to have children. I lack the restraint required to not leave a kid in a vehicle while I run inside for the Clinque Moisture Surge lotion my esthetician said my dehydrated skin screams for. (What? I’d leave on the AC and a Kidz Bop CD. I’m not a total monster.)

There’s nothing about being pregnant that looks fun to me. At all. The BFF swears pregnancy was the 9-month time of her life. Only it wasn’t because I was there. She remembers great skin and presents. I remember uninvited strangers groping her poked out belly and itchy bellies. And I don’t get babies. In a word? Episiotomy. If I’m getting stitches in my nether region, that kid better come out clutching some jewelry. Or mortgage payments. Babies are Benjamin Button in tiny, overpriced, primary-colored gear. They poop, they cry, occasionally they giggle but only before something putrid and wrong falls out of an orifice. Then you gotta freak out about their lumpy little heads. Was is black and white shapes that stimulate brain function or plush tactile toys? If I choose to play tunes from Grease instead of Brahms will baby’s first word be ‘pussy wagon’? Pre-school, kindergarten, parent/teacher conferences, school pictures, recitals, electronic family newsletters, Sears quality Christmas photos, braces, zits, periods, pubic hair, SATs, end of the year banquets, graduations. Ack! Plus, I don’t know if I can endure 1.5 Hubster’s in my home. Forever.

But those are my safety answers.

My defense against the knee-jerk reassurances fairy dusted on women who announce their birthing reservations. What I say to combat the comforting notions that it will be different when said child loafs around in my uterus and takes a red carpet walk from my lady bits into a poorly lit,yet, sterile room. The naked truth is that I don’t think I am capable of being a parent. The altruism that mothers express, in my world, is not in the amniotic fluid. It’s an intention. It’s learned. It’s a choice. A choice my mother, as my primary caregiver, chose not to make. I wasn’t potential, clay to be molded, or a personification of possibility. I was of value because I was collateral, a plastic token to cash in at will. Children, like monkeys, thrive better on actualization, love, and affirmation than sustenance. I had days and weeks where the freezer was stocked with microwaveable foods but I had to go outside the home for connections. And my desperation for connection cultivated in fucked up sexual, relationships stunted friendships clouded by jealousy and fear, and the one-night stand where I left him a note and my sweatshirt as parting gifts. Because I thought Emily Post would approve. My decisions, all decisions, are rooted in the need to fill that void created by persistent neglect. Mine first. And my degrees are in Psychology and Counseling. I can identify the when, where and how. But I’m still here. Wrapped in a blanket of selfish self soothing. Putting me first because I know that I will be with me always.

Then there’s my experience with race. My experience is constantly challenged as being less than. I didn’t learn the Black Anthem until I was in college. And my kid will be half of that. My kid will be the one who has to identify and choose and have their accomplishments be attributed to exception and outlying. And I’ll need to console, support, and empower; things I may have to fake.

One day I may.

Until then, my uterus is in tact. My shoes collection grows. And I get fulfillment in making strange children on a bus smile.

Tuesday, March 17, 2009

China details

The IWP delegates for China are Edward Carey (playwright), Leslie Jamison (fiction writer), David Marshall Chan (fiction writer), Kiki Petrosino (poet), and Anne E. Wilson (sculptor). Filmmaker Steve Delahoyde will also be documenting the trip and the 2009 exchange as a whole.

Arrival in Beijing on 5/12. Then three days in Beijing, seven days in Dunhuang, three days in Xi’an, and a final stop in Beijing, before leaving China on 5/26. We will be visiting four of the top five UNESCO world heritage sites in China, the Great Wall and the Imperial Palace of the Ming and Qing Dynasties in Beijing, the Mogao Caves in Dunhuang, and the Mausoleum of the First Emperor in Xi’an.

Monday, March 16, 2009

The Me Said of the She Said

The BF and me have been slow with our March installment of She Said/She Said. We mutually agreed this month to write about our thoughts on babies, pregnancy and mothering - a meditation prompted by the recent pregnancy of one third of our friendship triumvirate. Coconut Diaries will be posting her write-up soon, in the mean time, here is mine:

Baby crazy

I ain’t, and will probably never be. Call it my own variety of sociocultural conditioning, or what have you, but the drive to give birth for me up to this moment has always translated into the writing of poems and the initiation of artistic projects. I do not spend a lot of time with babies and/or small children. I am disturbed by the young mothers I see zipping around Green Lake and through the lanes of the Whole Foods market in my neighborhood during the middle of the day, as if everyone else is invisible. When I lived in Taiwan, I was appalled at how spoiled my cousins’ babies were – my cousin Cong-hui’s 3 y.o. still sucking on a pacifier, 20 pounds overweight, eating everything in sight with a nil vocabulary (in any language). The world revolves around mothers and the cult of motherhood in a way that makes me uncomfortable. Might these views derive from my own conflicted relationship with my absentee mother? Probably.

One of the women who was a bridesmaid at my wedding was recently outed on facebook as expecting. She didn’t post her sonagram, which is how I have found out about other friends’ pregnancies – the news leaked out through the indiscretion of one of her facebook friends. I have known this friend since I was 12, and know that for a long time she had quit birth control and was “not trying to not try to get pregnant.” Of the triumvirate of friendships that we shared, R was the first to have sex, get married, own a house and get pregnant. But she postponed the last for a long time, and now that it’s here, it’s given me something to reflect upon. [I do not envy her.] The male friends from our childhood started having children in their early 20s, but many of the women decided to wait, for whatever reasons.

I have been co-worker to new moms and women on the verge of giving birth. The limited range of conversation has often made me want to do injury to myself – think Mickey Rourke in “The Wrestler” when a fan recognizes Randy the Ram behind the deli meat counter and won’t let it go. The Ram fakes an accident on the meat cutter and slices open his hand, quits his shitty, job and walks out of the society where he doesn’t belong.

What is to be done to bring us back into the present and to intervene upon the baby babble related to feedings, sleeping, pumping breast milk, poo consistency and color, teething, socialization, etc. Is my aversion to babies perhaps the sense that once women cross over into motherhood, that there ceases to be a sense of how conversation excludes women who 1) choose not to have children, 2) can’t have children biologically. Maybe it is the privileging of motherhood in a way to me that seems completely alienating and severely limiting. The greater divide and disconnect between my experience of being a woman and women who choose to have children.

So, given these deep aversions to mothering, imagine my surprise then when at a reading of zen poetry in Montreal, I hear Peter Levitt read a stunning poem about his third wife dreaming the face of their son before he was born. Something about that image and idea opened a floodgate of tears for me that wouldn’t stop. Peter tells me that when his wife was in labor for 8 hours and about to give birth, she made no sounds and went somewhere else. Afterwards, he asked her where she disappeared to – deep inside, she said. How do women know if the time is ever right, or if we feel ready to become mothers? My own pre-conditioned fear is that if I am not baby crazy in the way that so many women of my age and older are that reveals to me what I some seem to know deeply know about their own biology, how then will I know if the moment came and then passed me by? The other part of me says, you live and act based on your own knowledge and belief systems, not someone else's. This truth is to be honored.
My life will be changing a lot this week and for that I am grateful.

In the mean time, I have been studying for my collections management class which was a very useful topic that provided me with much food for thought - integrated pest management for instance - not something that I think much about. But now I can tell the difference between a wood beetle and a carpet beetle and know for instance that those little piles of powder that come out of my unfinished wooden chest of drawers in my parents home in Riverside is very likely infested, and no the best solution would be to neither freeze the piece of furniture nor to subject it to a battery of pesticides. It has been beetle food for years and is probably structurally very weak at this point and ready for retirement. Insect frass and shells, all signs of infestation. Hair, skin and dirt all bug food. I now vacuum two to three times a week! But because we live in a house in Seattle where the temperature is hardly ever above 58 degrees, we don't really have to worry about silverfish or moths which thrive in high relative humidity. The practical applications of collections management...

Concerned about your old family fotos? Listen up, "archival" is way over-used in commercial products and a photo album that is pH balanced, and acid and lignan-free is what qualifies as truly archival. If you are like me and have your family fotos in old-style adhesive photo albums with plastic sheets sandwiching the fotos to the adhesive, that glue is going to migrate eventually through the photographs, causing damage and discoloration beyond repair. Move those fotos over pronto to acid-free linen.

And that artwork hanging up in my bathroom? The photographs and drawings both have a glaze layer (plexiglass or glass) which sits directly on top of the image, with no spacer. The emulsion of that color photograph is probably stuck at this point to the glass surface from the high humidity of the shower cycle.

NAGPRA: We need more policies like this one. I hope Geronimo's grandson wins his case with Yale and Skull & Bones.

Film stocks: nitrate, acetate, and polyester plastic bases, with nitrate and acetate being the most unstable. Esp. acetate with magnetic sound tracks which are subject to vinegar syndrome. Quarantine anything off-gassing a vinegar-like smell or the rest of your collection is wrecked.

I will never erase the image of stuffed lifeless birds with what appeared to be white cotton in place of eyes in the Burke mammalogy lab, by the drawerfuls, their legs crossed and bound; taxidermied gopher-like creatures, and the mounted heads of lions with fur loss on their ears from age and exposure. The whale skull suspended from the ceiling.
Everybody's got a threshhold for the amount of soul-sucking work that they can do, and I have officially reached the tipping point.

Saturday, March 14, 2009

My mother now has a gallery in Carmel representing her work here. That top painting on the linked page is I think derivative from a Herb Ritts photo of supermodels. The gallery is called Le Vernissage and is run by a Lebanese couple who have two galleries in the seaside town.

News

I am going to Western China in May through the Iowa Writers Project. An all-expenses paid trip to Dunhuang, Xian, and Beijing to collaborate with minority ethnic artists living and working in China. Dunhuang in an ancient city on the Silk Road, close to the site of the Cave of One Thousand Buddhas. In October, the Chinese artists travel to Iowa where the American artists will meet them and continue the artistic exchange.

Pinch me!

Tuesday, March 10, 2009

Ca va le fun

I got back from Montreal yesterday and am still reflecting on the Zen Poetry Festival. It was a really great gathering of poets and practitioners and I was so happy to meet and spend time with Peter Levitt and Zenshin Michael Haederle.

I did not see much of Montreal or take any pictures. I stayed at the Bienvenue B&B in the Plateau Mont Royal neighborhood which feels a lot like Brooklyn, except there are bigger snowdrifts and French signs everywhere. The B&B was a 5-minute walk to the Zen Centre which is Leonard Cohen's former home. He lives in the property next door overlooking the park on Saint Dominique and is slowly reinhabiting the top floor of the Centre which was formerly the zendo. Later this spring, the Centre will relocate to a new space in the Plateau.

First night in, went to a bar reading pre-festival event. The MC had been drinking all day red wine with Red Pine. Caught the last two readers of the night, David O'Meara and Erin Moure, who translates from Galician.

Next day, overslept and missed zazen and arrived late to breakfast. In the afternoon, a lecture at McGill with translator David Hinton who talked about deep ecology in Chinese and Zen poetry. Read that night with Seido Ray Ronci, who apparently studied with Bill Corbett of Pressed Wafer, back when Bill was teaching at Emerson in Boston. Seido is an intense man, ultra-direct and his poetry had something of the death-drive in it (i.e. his poem "My Skull"), though tempered at times by humor. Very accessible poems and stories, with a toughness about them.

Missed zazen the next day and facilitated a renga workshop with 8 participants who wrote 20-verse renga together. I underestimated how long it would take to write individual stanza, but in retrospect, this was an indicator that things were going right. Big thank you to Caroline, Kaidey, Jonathan, Mary, Maria Jose, Rodrigo, Frieda, and Robin for their participation. Afternoon translation panel with Red Pine, Stephen Addiss, Dennis Maloney of White Pine Press, Peter Levitt, and David Hinton; and then an evening conversation and reading with Chase Twichell and Peter again. A few poems into Peter's reading, I found myself completely overcome by emotion - more on that in a future post, but I basically wept quietly through his entire reading and then ducked out.

Sunday I missed zazen again and the festival held a nice little brunch in the financial district of Montreal, near the port and old part of the city, at Soupesoupe. Stephen Addiss talked about haiga and I talked about the visual art influence in my work. Thinking through the lens of Zen was useful to see the work as an exploration of my desire for beauty, truth and the ineffable. Afterwards, walked around the port with Peter and talked about marriage and relationships and the nature of knowing. We ended up passing the Hotel D'Ville, which was under reconstruction - about 1/3 of it under a screenprinted tarp with the image of what the hotel should look like in its glory. We ended up in Chinatown eating congee and won ton soup. More food 2 hours later with the Abbess of the Zen Center and Victor Sogen Hori, Sojun (a Zen monk), Peter, and Red Pine at a Portuguese restaurant in the Plateau.

I would describe the weekend as ichi-go ichi-e. It left a deep impression on my heart and being surrounded by so many serious practitioners, I have a sharper sense of what I am looking for in a spiritual community of dharma friends and teachers, though Salt Spring, BC and Albuquerque, NM seem far today.

Thank you to Zenshin for the foto:

P3070038

Rainbow Bookfest Redux

CS Perez came and went. He was the definite highlight of the festival and Seattle must invite him back again as he only read two poems, both of which were amazing. One piece on the history and uses of the achiote plant and a long poem that incorporated many legends on horses and Guam.

I don't have much of a context for how the bookfest has been in past years, but last year Sasha Welland and Kathleen Alcala, were the local heavies to read and present their work. This year's line-up included mostly hip-hop and performance poets. The introductions to poems were lengthy and there was a lot of Q&A and audience exchange, focusing far too much, I felt, on the business of publishing and circulating one's work. While I struggled to concentrate on many of the performers, I appreciated the political dimensions of the narratives - learning about Tacoma's Hilltopia community which is slowly undergoing gentrification and how the recession is impacting people on a macrocosmic level. Met a bass player who backs poets when they read and may give him a call for my April reading at Intersection.

I missed the 1412 reading downtown, but was glad to hang out with and get to know Craig and Brandon Shimoda, the new marketing director at Wave, who came out for sushi at Maneki on Saturday.
Coconut Diaries and I are working on another edition of She Said/She Said to be posted by the end of the week.

Topic? Women, babies, and motherhood.
I'm sitting on some very big news which greeted me upon my arrival back in Seattle. It does not involve babies, books, or jobs and is going to take me a few days to work out the logistics. New directions as a poet-diplomat...

Monday, March 02, 2009

According to my online thermal conversions, -15 degrees Celsius translates to 5 degrees Fahrenheit - that's the projected temperature in Montreal on Thursday. Which means that I will be packing a lot of layers, hats and gloves and bundling up for the weekend. It was 50 degrees here in Seattle today with sunshine and then heavy rain. Sigh.

Saturday, February 28, 2009

What's new

Reading this afternoon at the Langston Hughes Performing Arts Center at 4:00.

Leaving for Montreal on Thursday for the poetry festival. Reading on Friday night at Concordia, teaching a renga workshop on Saturday and giving a slide show and reading on Sunday.

I don't read or speak a whole lot French and I am wondering if this is going to be a challenge, as in looking at museum and culture websites for things to do in Quebec, I am encountering lots of French. Mais oui.

I'm going to the Association of Americans Museum Conference in Philly at the end of April and may be looking for a couch to sleep on.

Not moving back to Texas anytime soon as there haven't been any bites on jobs. That's okay, because we love Seattle. And New Mexico. And Colorado. And are holding out for one of those.

A museology grad is working with the chop suey project team to develop an exhibition/installation using the oral histories and video footage we are gathering. We've got two potential venues in mind - the 4Culture gallery in Pioneer Square and some other independent gallery that has expressed their interest.

Craig Perez is in town. And I'm looking forward to hearing him read this afternoon from his Tinfish collection. Tomorrow we may try to go to the 1412 reading to hear Brandon Shimoda and Leonard Schwartz.

I don't think I'll be purchasing a digital video camera before heading to Montreal on Thursday, but may look into borrowing one from UW to document the trip.

Friday, February 27, 2009

Saturday, February 21, 2009

More chop suey interviews today in Renton, with Tek and Rick Wong. I checked out a Panasonic digital video camera from school to record the interviews and also have my Sony audio recorder which I haven't actually used, though I've had it for nearly a year. The Panasonic will download the footage in some weird format which I will then have to convert to MPG, perhaps the one major drawback of the technology.

I want to get a digital video camera before leaving for Montreal on March 2, but that's so close a date that it might not happen. I have difficulty making and justifying big purchases. And I don't really love digital. Especially having learned about conservation issues related to migrating data. Give me film and tape stock any day. Though seeing nitrate decay and vinegar syndrome is making me fret about my negatives in their possibly non-archival storage. The word "archival" unless from a professional supplier is fairly meaningless and entirely misleading.

Friday, February 20, 2009

Perhaps not such a bad day if a poem arises out of it....

Light Reign

inside the sky-
viewing chamber

galaxy black
granite flecked

flooring reverses
a cutout of azure

light in late winter

the ground I stand on
echoing nightfall

stone mirror-map of
infinite constellation

   2/20/09, 11:23 a.m.
Newly arrived in my mailbox yesterday was a delivery from the "World of Beauty" postmarked New Mexico - a play on the "Land of Enchantment" - a gift from Jaybird da Vinci at the Placitas headquarters of the Voices from the American Land project. Their inaugural release: "Lo and Behold" a gorgeous chapbook of poems by Joanne Kyger with hand-drawn illustrations by her partner Don Guravich. Introduction by Andrew Schelling. This is a very special press with a beautiful vision - Support 'em by subscribing ASAP.
We are overdue for some lengthy and justified venting.
woman on the bus
no front teeth
flip flops & bare feet
stinking up the place
w/ the kim chee
she gobbles down
stares at me a second
too long as if she
knows me

Sunday, February 15, 2009

She Said/She Said: Valentine's Day

Valentines Day

Single Awareness Day. A mandatory day of romance and sweet nothings. Evidence of the direct correlation between love and creativity.

Or so I thought when I was single.

Back then I gave googley eyes to the boy who crafted parmesan chicken and candled ambience in my dining room. Swore I'd never find anyone sweeter than the one who gave me a leather pouch packed with symbolic stamps, quarters, and a 3-page letter filled with sentiments that still shake my core. Found my place on the continuum of love and loss with the one who palmed a red velvety bear as he picked me up from the airport. Thought I'd found my soul mate in the one who booked a fancy pants 7-course meal.

Over the years, my girlfriends regaled tales of arriving home to pre-packed suitcases as a prelude to a weekend whisk to San Francisco. Rose petaled beds. Little blue boxes. Packages that elicit genuine surprise. And I waited patiently for my turn. For my guy who would acknowledge that his action could predicate my mood on February 15th. Only, I didn't marry that guy. I married the guy who was surprised he wasn't able to secure a same-day Valentine's Day dinner reservation. The guy who prefers to pay $80 overnight shipping fees rather than brave a Christmas Eve trip to the mall. The guy who thinks gifts are less important than needs.

After 8 years of trial and error, he's aware that what we do is more significant than what he gives me. I'll take a hot air balloon ride over silk pajamas any day. And I've learned when he says "I have a surprise for you" that I married the guy whose gift philosophy hinges on the notion that others would be happy to receive the gifts you dream on possessing yourself. While my idea of a surprise is sparkly, adventurous, and innovative; his is likely to be practical, useful, and a token of his hope that I live forever.

This year I decided to give him a break. I let him off the event planning hook by deciding I'd rather we went to game night with My Singles. Only, I got a text 4 days in advance informing me that we had reservations for dinner in addition to game night. He also embraced my house hunting obsession and agreed to look at houses before dinner. And it turned out to be the best Valentine's Day ever.

Watching him get excited about our house, our future, is better than a dozen of anything. As we walked through model homes he made comments like "Well, this room won't be big enough for our kids when they get older" or "This is a perfect room for your dad to stay when he visits" or "I think we'll need a bigger back yard for the dog I want to get you." And, more than anything, he told he me is finally comfortable with the idea of adoption. That if he could save a Caylee Anthony from losing their lives to a parent who doesn't want them, that he's ready to make that commitment. The child doesn't even need to be white.

I felt like an asshole. For making him change his shirt that morning. For being a little bummed that he hadn't bought flowers. For thinking bad things when he asked me to drive that morning. For letting outside forces tell me I should have this day. For forgetting why I love him so much. Why he is the person, above all people, whom I chose to, share my life with. That, even though it's not draped in baby wings and arrows, my valentine is with me always.



Modern life doesn’t always allow for the celebrating of holidays and anniversaries on the days that they actually occur. Kort’s been booked on the 2 – 11 p.m. shift for the last few Saturdays, and so this past Valentine’s Day was no exception. Over the year the hubster’s gotten good at planning for big dates. Last Monday, he walked into my office while I was working on a grant application for my thesis project and interrupted so that he could ask if he could make a dinner reservation on Friday night at Nell’s on Greenlake, a very tony Pacific NW/American-cuisine type eatery. We dined there on Kort’s last birthday and I liked the vibe of the place – the view of the lake, the Kir Royale cocktails, etc.

I get home first on Friday and stop on the way home at the record store to pick up some new tunes for K, which he’d put on his Amazon list. Some Fruit Bats and Jeff Hanson. K texts to let me know that he’ll be home early. I get dressed and wait and wait, and about half an hour before our reservation, Kort finally gets home. He’d driven all the way to Ballard to get me a salty caramel frosting chocolate cupcake from Cupcake Royale and gotten caught in traffic. I skipped the cupcakes for gelato at the Greenlake Bottage that night and ate the cupcake for Valentine's day.

I got to experience the best of both worlds this year – some friends here in Seattle decided to do a low-key dinner at their apartment downtown on Saturday. When they found out that I’d be spending it alone, they quickly said, “Come for dinner” and to bring my friend from UW. My UW friend is male, attractive, intelligent, good in a kitchen, and single. Certain neurotic scenarios flashed through my head. On Thursday night’s “30 Rock” – Liz Lemon asks out her neighbor. He suggests Friday, but she can’t do it then, so she insists on Saturday. He agrees but notes that it’s Valentine’s Day which makes for some awkwardness. I thought back to my SAIC days in Chicago too, when GB asked me over to dinner on V-Day. As far as I was concerned, I was in love with and mourning Kort who was in Japan that year. It ended up being a one-on-one dinner and while eating was part of G’s plan, there were other latent intentions that I missed completely. He cooked eggplant parmesan – even called his mother to have her consult on the recipe.

So when UW friend and I are at the Whole Foods picking out a bottle of wine and dessert, he asks, “So is it just you and me and this other couple? Is Kort coming later?” I get squirrelly and adamantly emphasize the “anti-Valentine’s day” non-Romantic element of the gathering. It actually turns out to be one other couple besides the hosts. But everything works out well – UW friend is a master at steaming seafood and cracking open crab legs and gentlemanly in serving others, winning many points with the hosts for his skills which are not in fact cultural, he jokes, but genetic. But I being Asian too, definitely didn’t inherit the cracking shellfish gene.

Jenn writes about home, as in a house and who you come home to. I think of the notion of coming home to as closely related to my sense of community and those with whom I find affinity and familiarity – the friends that won’t let you sit at home on a silly holiday alone, even one that you may not recognize or celebrate yourself culturally or get sad about, but which becomes another opportunity to create new memories and bonds together.

Sunday, February 08, 2009

Seeing the opening sequence of Coraline reminded me of the Quay Brother's film about the Henry Wellcome Collection. The nature of the stop-motion animation and something about the disembodied deconstruction of objects in both.

Midterms on Tuesday.

I am reading on Feb. 28 for the Rainbow Bookfest Literary Festival at the Langston Hughes Art Center at 4 p.m.

Lately, I've been thinking a lot about issues related to social justice. It is a buzz word in academia and educational institutions - promotion and commitment to "equity" and such. But the practice of social justice on the ground looks very little in my mind like the theory of it. Could I, at this point, work for an organization that didn't prioritize or have in their mission or programming some aspect of social justice? This is a question I have to ask myself. The reason it would be an easy choice to help K build an acupuncture business is because his work resonates with me in terms of helping others on the path realize the right to pursue the health and happiness which every one of us deserves. We may always be poor, but there is dedication to something greater.

K's on a restricted diet that prohibits consumption of nightshade vegetables - onions, tomatoes, eggplant - these are my favorite things and a diet of mostly bland, sweet foods for a prolonged period of time led me last week to binging on the flavors of Indian food, Korean food, and spicy kim chi (not all in the same day). These foods tasted divine, but they didn't feel so great in the body. K explained to me today how tomatoes operate on the body in the ayurvedic system, creating excess in all the doshas. But living like monks isn't particulary appealing either. We have a Taoist friend that eats no meat, garlic, or onion and eating out was always an ordeal. This past month, I've been feeling some of that frustration.

The SF Bay area has poetry neobenshi, Seattle has cineoke.

I am totally unimpressed with the Slog Blog's Seattle Poetry Chain.

Oh, Michael Rothenberg, come and play with Seattle on your Rockpile Tour!

Wednesday, February 04, 2009

Mammology

We had guest speakers last Tuesday; the head of the mammology department came and talked about the accessioning of mammals and birds - we learned about how new specimens are acquired: Road kill, collecting trips (which utilize traps and euthanasia), people bringing in dead animals, and window strikes - I love the language of that last one - basically bird strike. We also learned about whale fall - before the museum can acquire a new whale specimen, it has to undergo a decomposition process. Whale fall doesn't always happen in shallow waters, so the museum contracted with a mink farm that has a giant metal pot where the skull of the whale could be boiled down. It wasn't totally clear, but it sounded like the flesh boiled off of the skeleton could be used to produce mink food. Someone raised an interesting question around ethics - i.e. what are the ethical implications of contracting with a fur farm to prep a specimen for accession?

Euthanasia was defined as meaning "good death" - we learned about how small animals are captured in traps and then placed inside a jar with a cotton ball soaked in halothane - within 10 seconds the animal is asleep, another 10 seconds and the animal's heart stops beating and it dies. Animals are euthanized while in the field - because to bring them back to the museum for euthanasia would create prolonged distress and suffering. Someone asked about secondary measures to insure death. Neckbreaking is a common measure. A lot of information. A lot.
Objects catalogued recently at the Wing Luke:

- Fu Manchu DVD
- Mr. Wong cartoon DVD
- pornographic Oriental Sliding Puzzle
- Bomb the Jap game (x2)
- Chinagirl flower holder
- Fu Manchu ceramic drinking vase
- Chinaman head ceramic pin
- "Splendorient" pin with Chinaman caricature
- maroon tie handpainted with a toilet and the image of Toyo
- Ronald Reagan propaganda film on VHS
- noir/crime books with Oriental themes
- Chinaman head buttons (x 100)

These are all from Roger Shimomura's private collection. We're also accessioning items from Jimmy Mar's mercantile:

- various Chinese teas
- incense
- box of red envelopes for wedding gifts
- Buddhist ritual paper
- bottle of ink
- restaurant ledger books
- mock money
- joss paper

She Said/She Said: Super Bowl Redux

I am no longer a Super Bowl virgin, though I can’t necessarily picture myself tuning in to watch the big game again next year. Kort and I turned on the tube at home, no beer, no chicken wings, and minimal fanfare. I think part of the whole experience must be the whole group bonding, tribal violence sort of mentality that carries the energy. My experience was fairly painless but somewhat lackluster.

Here’s what I noticed: the Pittsburgh team had a whole lot more ethnic diversity vs. Arizona. Part of playing football seems like learning to fall in a precise way – feet touching the ground, rolled over the ball. This sort of fall when complicated by someone knocking you over with weight and momentum behind them also looks like it has major impact and repercussion for spinal cord and neck injuries that makes me wince. Recently, the New York Times reported on football players documenting major brain injuries.

Most exciting moments were Harrison’s sprint and Holmes’ touchdowns for the Steelers. Bruce Springsteen’s half-time performance and a daring stage slide that resulted in his crotch in the camera lens! He looked a bit sheepish after that one. Springsteen is looking very “man in black”/Johnny Cash these days.

Favorite commercials: the Mr. Potato Head Bridgestone Tire commercial. Jason Statham’s Audi ad which could have been a movie preview. The monkeys and motoroil – though the kissing between monkey and actor was creepy. The Pedigree dog food commercial with wildlife standing in for domesticated pets. The Pepsi remix of Bob Dylan. I also liked the Cheetos “Gossip Girl” commercial because part of me has always wanted to act out quietly when confronted with women like the cell phone chick in the ad. I also found the Alec Baldwin Hulu ad resonant, as I looked over at Kort who was surfing on the internet and reading on his computer during the game.

My last acupuncturist who has since left Seattle once asked me how I thought acupuncture could be marketed during the Super Bowl to spread the word about its healing powers and make an impression on the unwashed masses to mainstream or Starbuck it. It was an interesting question to pose to someone who had never seen a Super Bowl. My response was “celebrity endorsement.” It goes a long way – but I think it would have to be something like a star player having experienced pain relief/management through acupuncture to treat football-incurred injuries (sports acupuncture is a subdiscipline acupuncture). Trade an athlete acupuncture for a celebrity endorsement that is worth millions. Partner with a medical or research center to conduct studies on athletes and treatment of their injuries.

I have a love affairs with sports. Make that most sports. Anything you can do while fat and smoking, however, is not something I consider a sport. This means you, John Daly. (Really, Augusta National? Blacks and women, bad. THIS guy, good?)

Sports are doses of triumph. David and Goliath. Leonidas and Xerxes. Us and The Economy. The underdog plucked from obscurity and afforded his 15 minutes of fame. A ticket to the good life, even if only for a short time. And I always root for the underdog. Or the black person. Whichever comes first.

My love of the midget that is Bob Costas is based on stories of hope he brings to my couch. The autistic boy who goes from team manager to meeting the President of the United States all because of a new successful 3-point shots. The ragamuffin team of college students defeating the iconic Russian hockey players. Lopez Lomong kidnapped by militia at 6 years old in Sudan now a member of the Olympic Track team. USC trampling all over the all-white Alabama football team in 1970, ending segregation in college football. The Williams sisters successfully lobbying for equal pay at Wimbledon after 123 years.

There something about shared a vision, chants, agonies, uniforms and happy dancies that bonds people in a way that's astonishing to me. There's something about a ballpark that makes kissing, hugging, cursing, and patting butts of complete strangers socially acceptable. Sure, I'd get some looks if I did it on a subway or in an airport, but I'd quickly be pardoned if I point to a team's logo anywhere on my person. Be it a bag, a hat, a pin; my sports paraphernalia is a "get out of jail free card" for doing crazy shit in public. The Superbowl is the mecca of get out of jail free cards.

I was astonished to hear that The ABFF had never, in her life, bared witness to a Superbowl. Surely, my father wasn't the only guy who carted his daughter to professional sports games with the "If you want to keep your husband at home, you'd better learn to love sports" mantra. Really? Just mine, then? No there girl-child got quizzed on the first black baseball player or was told black people don't play hockey? Hmmm, my dad's got some 'splainin' to do.

Although I boycotted Arizona through the Jake Plummer years, I became an instant fan for this Superbowl. The recipe for instant fan? Just add a team that's never won a championship with a hobbling underdog of a quarterback and pit him against the youngest black coach in history. I know, I was torn. But Kurt Warner stole my heart with his abusive Midwest upbringing, having to work in a grocery store in the midst of his career, adopting his wife's children, and stealing Matt Leinart's job without NOT telling Matt he can suck it.

For my deep, deep, open-mouth kissed love of football, I was kind of bored with this one. Other than Jennifer Hudson, the koala-punching commercials, and Kurt's near-win in the before the last 30 seconds were the highlights for me; I could have gone all day without Danica Patrick's stupid commercials (you're hot, we GOT it!), some of those lame calls, and the half-time show. What? So ONE little nipple slip umpteen years ago stucks us with singing extras from The Sopranos and old dudes sliding across stages in too-tight pants?

Of course this post would be VERY different if The Cardinals had won, so take this all with a grain of salt.

Tuesday, February 03, 2009

Research commences tomorrow for my 1st oral history project interview for Chinese Americana. I'm interviewing Ron Chew, former Wing Luke E.D., on his childhood growing up in the I-District, bussing tables for the Hong Kong Restaurant. Ron's had an amazing career as a journalist and community organizer who's risen to fame as a non-traditional museum professional. Ron was on the forefront of the multicultural movement in Seattle. The more that I learn about him, the deeper my respect for Ron and his work grows. That he dropped out of UW on principle due to institutional racism, reaffirms my decision to drop out the PhD program when I did.

Saturday, January 31, 2009

cat w/ hunched back on
stone steps mirroring the shape
of the broken mailbox
scuttling overhead
in the trees near Denny Hall
the masked raccoons

Friday, January 30, 2009

I'm supposed to be watching the Super Bowl this weekend for educational purposes. I am actually a Super Bowl virgin. It's a blogging assignment that I have some ambivalence about. Doesn't this game always last like four freaking hours? How am I supposed to do my readings for week this class against the backdrop of grown men tackling each other?
The trustees at Brandeis voted to close the Rose Museum. This decision is a hot topic in the museum community - selling off collections to pay for the school's debts is a big problem (proceeds made from sales from collections should only ethically go towards maintenance of existing collections or new and appropriate acquisitions) and sets a scary precedent for other university collections. Museum officials do not appear to have been involved in the decision-making process.

Tuesday, January 27, 2009

Yesterday, I had my teeth filed down by a metal strip coated in diamond dust. Abrasive to say the least.

Mickey Rourke was brilliant in the new Aronofsky film. His performance in the deli counter scenes, his addiction to self-mutilation in the film. The Wrestler is a movie about many types of pain, self-inflicted and external. Oh, Mickey. Happy comeback.

After the first week of Collections Mgmt class, I wanted to go home and archive and properly store all of my photographs, negatives, and works of art. I pulled the silk shirts out of my summer storage that were piled against linens and cottons. Moved my wedding dress into a different storage arrangement where it would experience less crushing and creasing. Moved the handbags that were hanging from hooks and hangers.

How is one to manage internship and job apps, conference scholarship apps, thesis work, classes, marriage, yoga, and sanity? I am applying for a job in Dallas, a job in Seattle, and an internship in Santa Fe, New Mexico. Top choice? New Mexico. Second choice? Seattle. Etc.

The chop suey project received a grant from the Office of Arts & Cultural Affairs and my advisor and I are getting ready to apply to another round of local grants to support the gathering of oral histories related to the I-District and surrounding environs. Interviewing begins in February. Prospects for funding look good.

Just read the catalog raisonee for Allan Kaprow's work. A good history of happenings and some great pieces pulled from the archives.

The WPA is working on their spring poetry fest at the Hugo House which will take place on April 25. Several out of town poets from the Bay area will be here teaching workshops. Several really fine La Alameda Press poets of the Beat and SF Renaissance tradition.

Speaking of the Hugo House, they are looking for a new director. No small task. I don't think I will apply. I'm not made for the overworking track.

Rainbow Bookfest is on Feb. 28. CS Perez is coming from Berkeley.

Our neighborhood is in transition. LaborWorks just moved out of our neighborhood. The building sitting between SIOM and Julia's restaurant is vacant. The tattoo parlor was replaced by a nail salon. SIOM just raised their acupuncture rates. The photo lab down the street folded, and with it my local p.o. contract unit. Last month a new custard stand and raw food joint opened.

Structure of the Inner Ear has a new publisher. I hope for a 2009 release.

I graduate on June 12, 2009, at 5 p.m. Friends, come to Seattle and celebrate with us!

Welcome to Seattle, Joel Felix. You rocked the 1412 Gallery reading. No bells and whistles necessary.

Sunday, January 25, 2009

Happy Niu Year and lhosar, year of the earth ox.
Seth Thompson's work reminds me a lot of Misty Keasler's work.

Friday, January 23, 2009

The Montreal Zen Poetry Festival site is now live.

Tuesday, January 20, 2009

I don't love facebook, but I'm grateful that it's put me back in touch with old Naropa friends, teachers, companions on the path. The poet who taught me shambhala meditation is now making films, after a lengthy retreat in Cambodia. I learned so much from observing and practicing with Bill, more than I could probably ever put into words coherently. I also reconnected with the meditation instructor who coached me in taking refuge vows my last summer in Boulder. And of course, finding Phillip who I thought was lost to me. Not lost, just living in Flint, Michigan.

She Said/She Said: The Inaugural Edition

I watched the inauguration live this morning with classmates from my program. The streaming internet failed, so we ended up watching on a 15-inch analog television with rabbit ears on a media cart in our classroom with poor sound quality. Staff brought champagne and students brought cookies. No tears were shed, though I admit to getting misty-eyed. There was a lot of chatter obscuring everything except for Obama’s acceptance speech and the inaugural poem. I debriefed with a friend in the law school over lunch. C arrived at the law school this morning to watch in the designated room where live internet was streaming, but there was a low attendance and a less than enthusiastic vibe, so she went over to Odegaard Library for the undergraduates where the air was much more celebratory. Young people wept openly – people who had probably voted for the first time in their lives in this election. I wondered about the classmates who didn’t make it to class to watch the program – did they watch at home? Did they not watch at all? What was the mood down at the Seattle Center and around the city?

I was struck by many things during the program – the images of American natural and national wonders projected during Aretha Franklin’s solo – the Grand Canyon, the Statue of Liberty – dramatic images to evoke patriotism and nationhood. I would have much rather looked at Ms. Franklin’s gorgeous hat. I misread the starts and stops that happened during the official swearing in as nervousness on Obama’s part, which made him all the more human, but was fascinated to learn later that the judge officiating over the ceremony that fed Obama the lines, switched the usual script, thus confusing the moment, though not ruining it.

I was deeply moved by President Obama’s speech – the call for responsibility and the promise of change. A leader in who I can see my own values reflected. Tomorrow the work begins, but today, there was a suspension of anticipation, criticism – and a deep acknowledgement of the joyfulness and relief of this historic and momentous occasion. What a showing on the national mall - over a million people.

As for Elizabeth Alexander’s inaugural poem – it rang to me of Walt Whitman’s poems of America in Leaves of Grass. The depiction of common laborers and the interactions between individuals. Pre-inauguration, there had been a call by a Philly poet on the Buffalo Poetics List asking Ms. Alexander to boycott the inauguration to reflect her support of gays protesting the selection of Rick Warren by President Obama to deliver the invocation. All in all, I thought that the poem addressed the issue of gay marriage and equal rights subtly, moving towards the message of love, which is not unlike the theme of hope. News reports are criticizing Ms.Alexander’s delivery of the poem as lackluster and the placement of her reading in the program as anti-climactic; some are calling Reverend Lowery's benediction much more lyric. I had been prepared to be disappointed in the performance, but in listening to her poem and hearing the shifts in imagery and momentum of her language, I see her commission as a fine achievement – personal, evocative, and imaginative. Read it here.

I found the moment that Bush flew away in his helicoptor to be very powerful - maybe akin to those Annie Leibovitz photos of Nixon leaving the White House lawn. Ben tells me that the ex-Pres has bought a house in his neighborhood in North Dallas - the Bush Library is being built at SMU which has bought up much of the residential property around the campus displacing area residents. Given these details, I'm not sure I could ever go back to live in Dallas.

I'm officially jaded.

On the day when the first black president is inaugurated millions of people gather under bundles of clothes with runny noses and nipped toes. Their chance to capture a moment in time with photo lens and camera phones, oversized buttons and $50 ski caps. So they can go back to their lives and present the communists who didn't trek to Washington to be a part of change and provide Smithsonian-worthy mementos. Oh, that is the snot rag that tripled as toilet paper, a snot rag, and hand warmer at the inauguration. And THIS is mud that permanently changed the color of the shoes I wore at the inauguration. Here is the prosthetic eye I got after some kid poked me in the eye with the tip of his mini-flag...at the inauguration.

Today was the first day of class and, though we had a live feed streaming in our lobby, getting into a class she failed to register for during pre-registration trumped history.

* Obama? Pish-shaw, this is my last semester and I need you to get me in the easiest class on campus.
* Martin Luther King, who? All my classes were deleted and I think it's ridiculous that you don't check your email on weekends or on the day the entire university and registration system are closed.
* Oh, I know you're a little brown girl and all, so I'll just make this quick. Can you just construct my entire class schedule for the next 4 years?
* I not from A-mer-ee-ka, so I not care. Can please to schedule courses in those for which I have no prerequisite for?

I missed it.

The swearing in. The speech. The 3 hours of pre-inauguration coverage. The 9 hours of inauguration dissection and color commentary. Who was there. Who wore what. What happens next. The feeling of being stuck at someone's house watching a graduation/wedding/bat mitzvah/Oscar acceptance speech reel. And I'm not all that sad. Maybe because I know that this day has been and will be documented to within an inch of its life. From the brand of Malia's mittens to the curious interaction between Bill Clinton and Jenna Bush. To the controlled scowl on G. Dub's face that masked the little marbles of thought bouncing around in his head. If I take towels from Air Force 1, it'd be freaking hilarious if I re-gifted them to The Obamas next year. BOING! If I touch my testicle right now, would anyone notice? BOING! Obama, Fama, Bobama, Me, My, Mo, Momma, Obama! BOING!

I know how important today day is to black America. To America, America. To my parents. My grandparents. My unborn, big-headed, bi-racial children. But the commercialization of it makes it less. Less like a unique space in time and more like the deliberate creation of a clips for the end of the year slideshow. I imagine this to be the what guys experience when they have to channel Steve Irwin to make it through Hallmark stores on Valentine's Day and Christmas. Why should I cultivate feelings on this day and this time because I'm supposed to? Because everyone else is doing it?

I assume this is a direct result of being sick and couch-ridden for the last 3 days and consuming copious amounts of Jon & Kate Plus 8, Property Virgins and Clean House.

But I DVR'd it. And I will sit down with fleece throw, tissues, and a glass of gewurtztaminer when I am good and ready to absorb history on my own terms.

THE NEXT DAY:

Clearly that is not a normal response to, what should have marked, a significant turn of events in my country. In an abbreviated lifetime that's seen The Challenger, Oklahoma City, Hurricane Katrina, September 11th, Columbine; the inauguration should have been one of those rays of sunshine piercing through thick gray clouds of harsh realities. This is the day I get to my own JFK, MLK, FDR. But I think my disappointment in the 20-somethings got to me. I was waiting for just one student to say "Wow, the first black president is being sworn in right now. This may mean something to you. Why don't I go grab some lunch so you can enjoy this. I'll be back in, say, 20 minutes? Can I get anything for you while I'm in the cafeteria?". It's a bit like hoping the new 25-year-old high school soccer coach will ask you to prom...so I've heard.

I waxed optimistic and decided that, after they left my office, they ran to the nearest iPhone to download the video from CNN.com.

Or MTV.com

At 12:35am, I watched the swearing in. The inaugural speech. All by myself. And I'm glad I did because I got a bit misty. Well, when The President wasn't bitch slapping G. Dub and basically nailing a GAME OVER sign on Georgie's crinkly little forehead. I almost felt sorry for him. Until I remembered the economy sucks, unemployment has skyrocketed, and the hot mess that is Dick Cheney. Then I just wanted to kick him in the jimmy. I have no political prowess, I refuse to tear apart his speech. There were parts my ears and heart feasted upon and parts that tasted like rice cakes.

"As for our common defense, we reject as false the choice between our safety and our ideals"-- Warm Chocolate Chip Cookies

"To those leaders around the globe who seek to sow conflict, or blame their society's ills on the West — know that your people will judge you on what you can build, not what you destroy."-- Cheesecake Factory Oreo Cheesecake

It's a good start.
Elizabeth Alexander's inaugural poem was absolutely Whitmanesque.

Edible "Books"

The Edible Books Festival is coming to Seattle on April 4. Ideas for possible entries:

"Holidays on Ice" (David Sedaris) - water with gas in a glass, w/ candy cane

"Seismosis" (John Keene & Chris Stackhouse) - abstract drawing composed of seaweed strands

"Grapefruit" (Yoko Ono) - a grapefruit with an instruction poem

"The Handful of Seeds" (Andrew Schelling) - 3.5 mountains of various seeds - mustard, cumin, sunflower,?

"French Milk" (Lucy Knisley) - glass bottle of milk

"Girls for Breakfast" (David Yoo) - bowl of cereal, milk, and various non-food props

"The Book of Tea" - tea bowl, tea powder, tea whisk, tea spoon, iron kettle, water

"Haiku Not Bombs" - eggplant incised with haiku

"Mortar and Pestle" (Lisa Gill) - stone mortar and pestle w/ various healing plants

"The Missing Piece" (Shel Silverstein) - carved wheel of cheese and various shapes

"Crooked Cucumber" (David Chadwick) - carved cucumber

"The Cinnamon Peeler" (Michael Ondaatje) - grated cinnamon stick

"29 Cheeseburgers" - (Mark Lamoureux) - 29 sliders

Friday, January 16, 2009

More yoga scripts

courtesy of Baca:

"Spread your sternum open like an angel is grabbing your heart."

"Drop your arms and relax. Angry people are inherently uglier." (said with a stern authority, broken immediately by smiling)

Monday, January 12, 2009

Next Sunday

WT at the Tractor

She Said/She Said

Meet my best friend Jennifer. I have known Jenn since I was twelve years old. We went to middle and high school, before going our different paths to college – her to the Southwest and me to Boston.

Jenn had many of the qualities that I admired – she was outgoing, funny, unafraid to talk to strangers. She performed on the drill team, rollerskated like a pro, and later got into team sports – everything from swimming and soccer to women’s softball. Pick a physical activity and she could master it, or at least keep up with and contribute to a less than diverse team. At home, she lived in a condo complex near the University of California, Riverside, with her single working mother and seemed to my eyes to enjoy a great deal of freedom and independence, with her summers spent with her father in a suburb of Long Island, New York. From early on, we wrote letters back and forth during those long summers spent with families, and as we moved around the country for college and jobs, the letters continued - she became a life line for me: she took me to Planned Parenthood when I had no healthcare and needed help. When I had an accident with some glass, she took me to her mother who taped my hand back together. When I was involved with the unstable and controlling married man, she told me what she thought about the relationship.

Some friends grow farther apart, outgrow one another, other friendships deepen. I’ve known Jenn now for twenty-one years – longer than I have not known her. As the years have passed, the scope of our conversation has deepened – when we were young, we rarely talked about our bodies, illness, careers, race, children, family, power and powerlessness, what it is to be a woman of color, but now it often feels like we think about the same things on any given day.

Last year, Jenn started a blog called The Coconut Diaries. And as her writing practice has developed, I’ve been delighted at Jenn’s capacity to express herself through story-telling, humor, and a sharp wit. Reading her writing leads us to new conversations with one another about the things that we think about and experience every day.

I went through a period where I didn’t want to collaborate with anyone creatively, after a number of sour experiences – with women. I am occasionally coaxed out of this mindset by the friendly persistence of male colleagues that I deeply respect, but on another level I haven’t been interested in “getting the band back together” for quite some time. Like since 2006.

Jenn casually suggested the idea of a blog swap a month ago, a low stakes experiment where someone guest blogs for you. I’ve known poets to do trade-offs, and Jenn’s traded with women from her own circle. I sat with the idea and it grew on me. A lot. It was presented with such an easy and open quality, that the foundation for this dialogue quickly evolved for me into what felt undeniably like a collaboration that I could feel passionately about, in terms of shared ownership, communication, and creativity. One that doesn’t relate to the academic and intellectual worlds in which we each participate, but to life as we experience and live it.

Jenn is one of the first people I consult on major life decisions, matters of marriage, and race. I care how she thinks and recognize the value of her opinions, experiences and voice.

So we’ve come up with a plan – our version of “The View,” but less annoying, from two women of color who grew up in the strangeness of the Inland Empire of Southern California who are learning to come into our voice, and our power in our early 30s. It is our goal to make dual posts twice a month on topics that mutually interest us. If you are interested in suggesting a topic, please email Jenn or me, though we’ve got a loose plan for topics – expect postings on the inauguration, the Super Bowl, husbands and video games, rites of passage, and fathers and daughters.

You can leave your comments at The Coconut Diaries or email us, but I will not enable the comments here due to blog stalkers. I do not expect for these posts to interest anyone except for Jenn and me. This blog is not a performance and this is an entirely selfish act of ownership. I hope this blog swap will be a way to re-invigorate the medium of the online journal or daybook – this is a conversation between me and my best friend. I invite you to eavesdrop.

The ABFF is someone who just makes stuff happen. She plucks an idea from the cloud of ambition hovering above her head and crafts it into existence. She’s like a Top Chef contestant who looks at an apple and thinks caramelized, reduction sauce, etoufee, gnocchi; while you’re stuck on apple pie, apple pie a la mode, and, you know, plain old’ apple. In the wrong hands, this quality could be wretchedly annoying. If she were someone who shrugged and said, “I don’t know, I just ate less” or “It’s easy if you just (insert overly simplistic bulleted lists and steps and to-dos here).” But she makes things happen because she knows luck and waiting won’t get you as far as a solid network, a catalog of success, and attention to detail. It is her tireless attention to detail that turned a flighty idea into the newest way to give my blog some substance.

She Said/She Said is what The View would be if Sherry Shepherd suffocated in her own cleavage, Elisabeth Hasselbeck came out and ran off with Joy Behar, Barbara Walters died, Whoopi got a weave and Lisa Ling needed to add some street cred to her resume. This is a show where two early-thirtysomethings discover how our experiences with race impact our view of contemporary events, friendships, our spouse’s have a seemingly large interest in video games, rites of passages, and familial relationships.

In case you couldn’t crack my superior code, the “A” in The ABFF is “asian” (gasp!). We had a common friendship with a white girl in junior high that cultivated into uniquely shared experiences of matriculating as the only people of color in our Southern Californian circle of friends. There is something about being “the only”, “the first”, “that one” that bonds us. We drifted between concentric friendship circles in high school. My boundless need to fit in guided me towards the jocks, proms, prep rallies, shopping, movies, makeup, sports, church; while her gifts led her to choir, art, theatre, and an ungodly run-in with a perm. No matter how our lives diverged, we always wrote letters to keep in touch. I was floored by her fierce rebellion against tradition and needed to connection to life lacking superficiality. A life that was real and messy and rejected and sad. A life where strength, courage, challenge, and hope wasn’t in a tube of gloss.

So, we wrote. And wrote. Through college, the baby I didn’t have, the nervous breakdown, The Ex, marital doubts, career disillusions, every choice I’ve made in over 2 decades. She is the first person I dialed when I was called a nigger my first week in Texas. The one I consulted when I slept with the wrong guy. (OK, guys). The one who I cry to when my father measures my inches of success with a milestick. She’s as much a part of my life as anyone I share DNA with. The depth of my respect for her lies in her authenticity. That reality that resilience, success, pain, disappointment, passion, initiative, and risk often share the same space. She’s Jiminy Cricket. Glenda the Good Witch. This amateur blog’s muse. Motivation personified.

With all kinds of courage and drive, she left our little west coast cocoon and spread her wings in Boston, Colorado, Taiwan, Chicago, Dallas, and Seattle. She’s blazed her own path to become a published poet, much to the chagrin of the expectation that she become something more stable, like her brother the doctor. But I’ve attended her readings and wished they could see the fun gushing on her like she was Oprah in a little asian body. I’ve also seen her take jobs just left of her passion to pay the bills, but attended to them as learning opportunities. She’s unconsciously exquisite, deliberately talented, hopelessly devoted.

Ladies and Gentleman (yeah, GeekHiker, you’re still the only guy brave enough to hang out here), it is with great pleasure and little pants wetting that I introduce you to The ABFF. Love her as much as I do, or I’ll sock you.

Sunday, January 11, 2009

More McYoga

"Twist your arm, twist your legs like ropes."
"Twist, twist. Like pearls. Like a string of pearls."
"Sit Japanese style."
"Make your leg strong like concrete. Like a lamppost."

Saturday, January 10, 2009

My friend Eden's older brother's first book comes out this Tuesday. It looks like a must read.

McBikram

I was completely disappointed with my first experience of bikram yoga today at the Rain City studio. The teacher recited from a script and repeated EVERYTHING twice and talked a mile a minute. She did not model any poses and made no adjustments on anyone, including newcomers. When asked after class, she stated that bikram teachers do not have permission to touch and cannot make adjustments. Also, it is a yoga style where the teachers do not move through the asanas with the students.

This raises some red flags for me - as a student, I look for a teacher's ability to teach effectively and for evidence of their knowledge base.

The script was awful and full of grammatical errors.

"Complete relax."
"Touch you knee with your forehead exactly."
"You should look like a Japanese sandwich from the side."

Savasana was torture. "Relax the feet. Relax the feet. Relax the calves. Relax the claves. Relax the knees. Relax the knees. Relax the arms. Relax the arms." All the way up the body to the eyes and forehead. It must have gone on a full 2-3 minutes. Everything repeated twice. Everything repeated twice. Fucking torture. No "OM" and no "Namaste."

There were about 25 people crammed into a 105 degree room of perhaps 700 square feet. We were crammed less than half a foot distance from one another. And I was sandwiched between a 6-foot-tall woman and a tiny female who was clearly experienced in bikram. My neighbors did a poor job of staggering themselves and as a result, we constantly bumped into each other, touching sweaty body parts. The woman next to me dripped on to my mat. Aversion, oh aversion.

Exhale yoga drew from bikram somewhat, but is a million times better.
It's opening weekend for the new Daron Aronofsky film The Wrestler signaling Mickey Rourke's cinematic comeback. I am really excited about this film. 1) I used to love watching pro wrestling - as a kid, I would watch television matches on Sunday mornings with my dad; one of his few days off, and one of our few father-daughter activities. My favorite wrestlers were Rowdy Roddy Doyle. Hulk Hogan was always embroiled in a battle with Randy Savage. I'm not sure who's side I was on. I think Jesse "The Body" Ventura did commentary in those days of the WWF. The WWF was way better than GLOW. 2) I am fascinated by all things Mickey Rourke - I rented "Wild Orchid" on Kort's Hollywood Video account while I was on retreat in Port Townsend. I'd be too embarrassed to suggest that we watch it together, because it's an atrocious piece of acting, and it's the final sex scene in the last five minutes of the movie for which the movie is infamous, along the lines of Vincent Gallo's Brown Bunny. Kort and I sat through that one in Boston, and Kort didn't let me pick any movies for a long time after that. If you want to see a sensual movie set in Brazil, just rent Black Orpheus Oh, Mickey, what happened to you? You are still beautiful to me, even with a ruined face.
The kind staff at Urthona have accepted four poems from Adamantine for their next issue, due out end of year.

Monday, January 05, 2009

Yoga outreach

I was at Rain City last Friday when I noticed a little brochure on volunteering to teach yoga in the prison system. I couldn't remember the URL on the brochure and went home and googled a few days later and arrived here, when actually, I was looking for the local incarnation of a prison-based program. I am really floored by this - poetry has been doing outreach work for many years thru organizations like PEN, but this was the first I had read or heard of yoga going inside the prisons. It seems like a wonderful idea - focusing on the body and the spirit and the mind. The idea of freedom wherever you are. The Samaraya Center where I am looking into doing teacher training this year has a required volunteer practicum - it can be completed at the center, but it can also be done elsewhere. The yoga in prison program seems like a great challenge on so many levels and in line with the idea of bringing yoga to the masses and people who could really benefit from the practice - i.e. not middle-aged, privileged ladies undergoing a mid-life crisis as witnessed at the Seattle Center, but individuals engaged with much more serious exploration.

Saturday, January 03, 2009

Vinyasa Instruction for R.Y. Yoga

"Palpate the shoulder blades with the breath."

"Stand up tall, like a flower pot."

"Let all that oxygen swirl up into your shoulders."

Friday, January 02, 2009

My goals for '09:

- get certified as a yoga teacher
- graduate from the Museology program
- write and sell a children's book
- buy a house
Losing a wool mitten isn't as bad as say losing a diamond (which I've also done) but I am feeling less than mindful. This morning I trekked back out to Greenlake and did the full loop reluctantly, looking for my mitten, realizing that it is the exact color of pine needles and winter grass, making the task even more herculean.